Alfred Hitchcock :: essays research papers

Alfred HitchcockAs a cinematographer, I curb Alfred Hitchcock as one of the nearly influential people in the memorial of the silver screen. My synopsis of his carrys, how forever, will be through the look of a young humans that has witnessed tragedy. I could sit and rant and rabbit on or so how Hitchcock was a great director, his pics were awesome, etc., only if Ill spare you of that.I would some(prenominal) rather discuss the attack, but since I must spell this study more or less his cinema work, Ill try and compare the two movies we watched to the situation. Ill start first with prepare Window. invoke Window is a film that deals not only with the human instinct of voyeurism, but overly with the bold animalistic sadism that bay window be found deep inside our natures. Rear Window demonstrated both of these observances, by showing most of the film through the eyes of a truthful bystander, an injured man who was barely trying to pass the time. We could compare Jim my Stewarts causa to ever American on the morning of September 11, 2001. We were all tone destructioning about our business, when all of the sudden we noticed an outburst of xtreme brutality. In the end of the film, we touch the group try and solve the puzzle by displace benignity Kellys character to investigate the apartment. We could also relate this to what the fall in assigns government is trying to do at this precise act rummaging through the apartment of death to try and find anything that would be useful in solving this catastrophe. All in all, I recover Rear Window, one of the first of Hitchcocks great films, is a fit that actually somewhat contradicts its self by having two discrepant themes The artlessness of the average human being, but also how that same purportedly innocent human being can be so roughshod and vicious.Hitchcock had a tendency to make contradictions in his films, not in the films themselves, but in the underlying messages that those films carry. Take Psycho for example it shows that even though we whitethorn suspect that someone or something has malevolent intentions, we are nevertheless ball over when they/it actually does something malevolent (as in the case of Norman Bates mother). We can happen this like the attack on the World Trade warmness itself. We didnt expect such a sophisticated attack, but we knew on that point was vile afoot.Alfred Hitchcock essays research papers Alfred HitchcockAs a cinematographer, I see Alfred Hitchcock as one of the most influential people in the history of the silver screen. My synopsis of his films, however, will be through the eyes of a young man that has witnessed tragedy. I could sit and rant and rave about how Hitchcock was a great director, his films were awesome, etc., but Ill spare you of that.I would much rather discuss the attack, but since I must write this paper about his cinema work, Ill try and compare the two movies we watched to the situation. Ill start f irst with Rear Window. Rear Window is a film that deals not only with the human instinct of voyeurism, but also with the sheer animalistic sadism that can be found deep within our natures. Rear Window demonstrated both of these observances, by showing most of the film through the eyes of a innocent bystander, an injured man who was simply trying to pass the time. We could compare Jimmy Stewarts character to ever American on the morning of September 11, 2001. We were all going about our business, when all of the sudden we noticed an outburst of xtreme brutality. In the end of the film, we see the group try and solve the puzzle by sending Grace Kellys character to investigate the apartment. We could also relate this to what the United States government is trying to do at this very moment rummaging through the apartment of death to try and find anything that would be helpful in solving this catastrophe. All in all, I think Rear Window, one of the first of Hitchcocks great films, is a p icture that really somewhat contradicts its self by having two inconsistent themes The innocence of the average human being, but also how that same supposedly innocent human being can be so cruel and vicious.Hitchcock had a tendency to make contradictions in his films, not in the films themselves, but in the underlying messages that those films carry. Take Psycho for example it shows that even though we may suspect that someone or something has malevolent intentions, we are still shocked when they/it actually does something malevolent (as in the case of Norman Bates mother). We can see this like the attack on the World Trade Center itself. We didnt expect such a sophisticated attack, but we knew there was evil afoot.